Dream Seed celebrates the full moon in Leo with this very special sound healing journey through the elemental forces of the air, fire, water & earth. Grammy nominated musician, Samir LanGus, a Gnawa, Moroccan sintir player and vocalist guest stars and brings a hypnotic desert sound to this special offering.
Including: Hannah Apollonia, Matt Canale, Mateo Bazgier, Ixchel Prisma, Jerry Walsh, Brooke Gillespie, Xango Shola, Michael Fisher & AJ Block
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Samir LanGus, Gnawa Musician
Samir LanGus is a Grammy nominated musician, born and raised in the city of Agadir, Morocco. Music has always been a part of the constant variety of street sounds of his city, from merchants to entertainers and calls to prayer. LanGus began learning Gnawa, a traditional, spiritual trance music, when he was 8 years old from the Gnawa masters of Morocco.
For the uninitiated, Gnawa music is the ritual trance music of Morocco’s black communities, originally descended from slaves and soldiers once brought to Morocco from Northern Mali and Mauritania. Often called "The Moroccan Blues", Gnawa music has a raw, hypnotic power that fascinated outsiders as diverse as writer/composer Paul Bowles, jazz giant Randy Weston and rock god Jimi Hendrix.
The music is utterly singular, played on an array of unique instruments — from the lute-like sintir that the band leader uses to call the tune, to the metal karqaba, castanets with which the kouyos (chorus) keep time and pound out clattering, hypnotic rhythms. The music believed to heal people possessed by jinn, or spirits in all night ceremonies called lila.
But “Gnawa is not just the music,” says Samir. “It’s the culture. You can’t play just the sintir, you also need the karqaba (karakeb is the plural of karkaba) to have the Gnawa spirit.” He describes the sintir, a stringed percussion instrument made of wood and camel skin with goat gut strings, as a “powerful instrument” with an amazing sound. “You feel it in your heart,” he says.
LanGus makes great use of this traditional repertoire, and adds his own, contemporary spin with additional jazz instrumentation. Taken as a whole, this exciting new artist fuses a centuries old North African tradition with the pulse and attitude of New York City now. He would like to collaborate with diverse musicians improvising new sound that respects the Gnawa tradition.
DREAM SEED is a shamanic sound ensemble hosted by members of Golden Drum, Didge Project, and Sacred Arts Research Foundation. Shamanic chanting, mantras, overtone singing, Native American songs, indigenous music, didgeridoos, crystal singing bowls, bells, gongs, harmoniums, tuning forks and other overtone-emitting instruments are used to create an environment conducive to deep relaxation and inward investigation. Participants are led through guided meditations and sound healing practices designed to harmonize body, mind and spirit. Visit Dream Seed on the web at http://dreamseedsound.com